Frequently Asked Questions
Q: What is scanner photography?
A: Scanner photography, sometimes called scanography, involves using a flatbed digital scanner
for making art. Instead of scanning pages of a book or other
written media, the cover is left open and a scanned image of arranged
flowers or plants is made.
Q: Why scanner photography instead of regular photography?
A: I was an amateur
photographer for many years, focusing (pun intended) on close-ups of
flowers and butterflies. While I was able to obtain some decent
shots, any image of a flower always had a background of leaves or ground
to it, inevitably taking away some from the star of the show, the
flower. With scanner photography, there is nothing extraneous,
just the individual flower or elements of the arrangement, leaving no
distractions for the eye.
This technique also has
tremendous appeal because of the nature of the scan itself.
Certainly the amazing detail is welcomed -- because the scan proceeds
slowly line by line over the image amazing detail is captured (some high
resolution scans can take 10-15 minutes or more). But the real joy
in the images is the almost 3D effect they take on due to the crisp
edges and rich shadows the scan reveals.
Q: Where do you get your plant material?
A: Most of the flowers and
plants have come just from our small garden and flower bed. OK, so
I have bought a bouquet or two during the winter -- I just can't go so
long without some new material. I buy them for my wife, then
"borrow" them for a bit (although she might argue that it is actually
the reverse.) Most of the autumn leaves came from a single parking
lot near where I work.
Q: Where do you get your inspiration?
A. Because of the transient nature of the flowers and leaves I use inspiration of
necessity is somewhat based on what's on hand. Have you ever
picked up a golden fall maple leaf, only to have it be shriveled up and
dry by the following morning? The scanner can preserve the
short-lived colors the leaf contains. Some flowers are ruled out as
candidates for their fragility -- they begin wilting nearly as soon as
they are cut. Time is of the essence to find an arrangement that
finds its natural order and harmony before the flowers lose any of their
sharpness. Sometimes what I bring home lacks any spark -- nothing
jumps out at me with a call to how they should be placed. At other
times it seems like the flow of the flowers is natural: I get an "of
course they go that way" feeling with the first glance of the image on
the screen. Perhaps that is just some of the spontaneity of art.
Q: Do you use a really high-end scanner?
A: Scanners available today have remarkable resolution for a fairly modest price.
While I typically scan at 1200 dots per inch, my scanner is capable of
scanning at over 10,000 dots per inch! Such resolutions are only
practical for very small objects or else the file sizes become enormous.
Since each dot uses 24 bits to represent the color, or three bytes, even
at "just" 1200 dots per inch the resulting file sizes are over 400
megabytes in size. A 2400 dpi image starts out at 1.6 gigabytes
before any compression or editing. I've done some small items at
2400 dpi and one at 3200 dpi but beyond that for anything larger than a
small bud or coin and you'd better have plenty of hard drive space
available! The advantage of the higher scan densities is that the
resulting image can be printed significantly larger, expanding the image
dramatically. Anything above 250 dots per inch print quality is
generally considered gallery/professional quality. This means my
images can be printed at least four times original size and often more
-- making that flower or leaf come alive in stunning detail.
Here's a case where bigger is definitely better.
Q: What makes the background black? Do you scan in a dark room?
A: The scans are indeed taken in a darkened room with a black fabric draped
over a frame covering the scanner. This produces a dark background on
the image but not totally, 100% black. This is where the long
hours come in. Using Adobe Photoshop Elements, I carefully edit
around every leaf, petal and stamen to change the background to pure
black. Different brush types and intensities are chosen to ensure
the edges are correct for the source -- different flowers have differing
degrees of sharpness to their petal edges, for example. For most
pictures I need to edit with a brush size of 10 pixels or less, often
down to 4-5, meaning I'm editing down at less than 1/10th of a
millimeter level. While this is a
time-consuming process, generally taking 15 to 25 hours per image
and sometimes much more, it is essential to bringing out the natural beauty of the
flowers through the contrast with the jet black background. The
time goes pleasantly by with my daughter playing the piano or a favorite old
movie on in the background.
Q: What changes do you make to the images once they have been captured?
A: The essence of the technique I practice is to never change the fundamental
image. The editing, done with Adobe Photoshop Elements, is just to
remove any artifacts of the scanning process itself: dust, for example,
or pollen -- and, despite great care, some flowers produce copious
amounts of pollen! Some digital artists electronically combine different elements
into a single work of art, sometimes with dramatic and interesting
results, but these works are simply the direct expression of the flowers
themselves.
Q: What type of printer is used?
A: I don't use any hobbyist home printer but instead have my works
printed by a professional printing service that uses Epson Ultrachrome inks on Fuji Crystal Archive paper which is acid and
lignin-free, ensuring a long lasting work of art.
This combination of inks and papers
produces rich black and vibrant colors, which, coupled with the feeling
of depth that the scanner technique produces, makes for a dramatic work
of art. All of
this does increase the cost a bit but the result is well worth it: a
piece of art to enjoy for years and years to come. |